Dragons again! Also, surreal and psychedelic prints newly available

I'd like to say that a childhood steeped in museum visits and gifts of lavish art books inspired me to start painting, informed by a classical education, but the truth is that old D&D modules and copies of Dragon magazine were probably what got me interested in art. That probably isn't too surprising though given that my favorite subject matter is fantasy-oriented, albeit on the whimsical side thereof. I'm not a student of the style of art that comes up when I google "fantasy" art images, obviously -- while all expertly done, it's a little glossy for my taste (and, er, my ability, which is nowhere near that of the professionals). I like to see the individual artist's touch and brush strokes. I especially like the look of the D&D art from around 1979-1981, where the figures are not always proportional and muscular, the colors are bright and garish, with oozy shades of green slime, crimson capes and glowing orange eyes. I like the drawings that look like elaborate notebook doodles and paintings with bold, clear strokes of color.

Behold, the formative influences. The colorful mushrooms, otherworldly lighting and details and stiff poses of the classic fantasy figures on "In Search of the Unknown" light up my brain in ways that cannot be articulated.

With that in mind, I'm applying myself to some more of the detailed dungeon work that I liked to do when I was in my teens. Here's my newest offering in that spirit, a 12 x 16 acrylic painting on flat canvas board. Any time I can put a small pile of jewels around a dragon's feet, I'm happy.

"Cave of the Stone Dragon"

I've posted a few examples in the past of my late 1980s paintings, but I don't think I posted this one below before. I'm terribly proud of that dragon; I think my dragon skills peaked around age 16.

Also newly available this week are some prints of paintings I did in the past. First here is a 5 x 7 print of a painting that I sold last month. I can make larger prints of this one on request, up to the original size (12 x 16). Oh yes, and clusters of crystals are even more satisfying than piles of jewels.

"Night of the Amethyst Dragon"

Also, a trio of psychedelic paintings I did in 2009. These first two have some kind of Tarot influence to them, but I can't say exactly what it is. The first was inspired by a dream; the second is just a collection of things that I like. The third piece is one of my lonely ice landscape paintings. Now that I am not living in a place where it gets quite as cold and lonely, I don't do a lot of those any more, but I DO spend a lot of time reading about early 20th century Arctic/Antarctic explorers.

"Vision of the Cosmic Rift"
Available as an 8 x 10 print

"Astral Peacock Empress"
Available as an 8 x 10 print

"The Secret"

Listing is for 5 x 7 print

also available as 8 x 10 on request

Thanks for looking! Coming soon are some perfume reviews and Halloween in June musings, if I get my act together.

Sci fi surrealism, rust monsters, and a few more unicorns.

Aside from working on a lot of oil paintings recently, and waiting for them to dry, I have a sort of unthemed mixed bag of things to share for the moment.

 Earlier this month I contributed a piece, "The Sea Corridor," for a greyscale art contest at Jerry's Artarama in Houston. I got a nice set of oil paints for my efforts, and the painting (18 x 24 inch on a gallery wrapped canvas) is taking up a big chunk of art closet real estate here now, in case anyone within driving distance of Houston is interested in making an offer on it. :) Blurry photo with glare courtesy of my perpetually poor lighting conditions and lack of a professional grade photo studio.

The "fish-owl" was inspired by a couple of lines in the book "Babylon" by Rene Crevel, and there are tiny little fishes budding off of the branches that were inspired by lines in "The Goose of Hermogenes" by Ithell Colquhoun, unless I'm getting my surrealist novels confused. I tried to put some of my favorite elements in this -- woods, corridors full of billowing curtains, gliding down a passageway like the famous scene in Jean Cocteau's "Beauty and the Beast"...just some things that I like, blended into a sort of collage.

I also have prints available of a colorful, surrealist-inspired painting I did a few years ago and kept in my personal collection. This is a 5 x 7 print for sale but I can also make 8 x 10 (or 9 x 12, even) on request.

"Beneath the Green Sky"

"The Lair of the Rust Monster"

On a completely different note, I'm slipping an 8 x 10 print of another of my "personal stash" paintings into the mix this week -- I love D&D module covers from the early 80s, which was my formative era. I liked the art more than anything else really, since I rarely got to play with other people. In fact, check back for a post about those soon. 

"The Shadow and the Candle"

Back to surrealism, this oil painting is also in my personal stash, just a stream-of-consciousness piece I did, of whatever came to mind at the moment that I wanted to see. Subconsciously inspired by my love of Leonora Carrington, in ways I can't quite put my finger on. I'm keeping the original of this, but 5 x 7 prints are available at the link above, and 8 x 10 can also be made on request.

Finally, I have prints up now of a couple of the unicorn paintings that I did last week.

"Beneath the Purple Unicorn Tree" 5 x 7 print

"Groovy Unicorn Room" 5 x 7 print

And soomehow when Easter rolled around I think I neglected to post this picture, that I did for the season. But really, aren't moonlit bunnies suitable year-round?

Thanks for looking, and I hope that my next update will be a little more focused, but really, what's so great about focus?

A Few Gothic Visions for Halloween

I have plenty of orange pumpkins and black cats available year-round for the Halloween aesthetic, but I am really into surreal grey images at the moment. Although not a conscious influence, I think that the Edward Gorey intro to "Mystery" in the 70s was one of those formative images in my life, and something that I connected with immediately. The black and white drawings of mystery clichés -- the garden walls, the statues and urns, the strange dark figures lurking in the background -- I can't even remember specifically what was in it, without rewatching it, but that kind of imagery formed a kind of blueprint in the back of my mind for All That Was Good.

The thought of a half-seen, shrouded figure; a ghost flitting through a topiary garden or past a cemetery gate; a broken fountain in an abandoned courtyard; a cracked urn overgrown with ivy -- they thrill and delight me like nothing else in the world. Even in the films I endlessly watch from the 60s and 70s - Italian gothics and giallos, Hammer horror, surreal French vampire films - carry this aesthetic. It's where I live, what can I say? Here are a couple of small paintings that pay tribute to those glimpses of haunted spaces.

 "The Hidden Window"

"Lost in the Garden"

While I'm at it, here are a few more typically Halloween images, but with a muted grey monochrome look to them -- highlighted by a single bright color of a ghoulish or ghastly image. I may add to these before long, but so far there are three.

 

"Besieged by Tentacles"

"Aflame"

"Traumatized"

Through Oct. 15, you can get 15% off anything in my Etsy shop with the coupon code AUTUMN14 to celebrate the season.  Use it as much as you like, pass it along...get yourself or a friend a little something for Halloween!